Guest Tutors Q & A

- I first discovered lino cutting in college, during my textiles A-level. We were introduced to a variety of different printmaking techniques and I was instantly drawn to the therapeutic process and bold outcome of lino printing.

- I enjoy every aspect of the printmaking process but I think most printmakers will agree that the reveal is probably the best part. Because there is always some unpredictability with lino, seeing your idea come to fruition after hours of planning, drawing, and carving is incredibly satisfying.

- There are so many amazing printmakers who I follow on social media such as Lee Bell, Meg Lou and Trevor Kyler. However, I would say that I draw most of my inspiration from the natural world and from the subject matter of folklore and medieval woodcuttings. I have always been drawn to the macabre; during my degree, I discovered the symbolic concept of 'Memento Mori' and the art genre of Vanitas, both of which have had a huge influence on my work.

- Lino cutting mistakes are an inevitable part of printmaking, especially as a beginner. I’ve had my fair share of slips resulting in unwanted lines and bleeding fingers! I’ve also carved the wrong part of a design or forgotten that text mirrors itself countless times. However, I pride myself on being quite meticulous now, and I rarely make a mistake I can't fix or work around. 

- As I mentioned before I love drawing anything folklore or nature inspired, this includes the more overlooked, dark and macabre aspects of nature too, such as moths, skulls and mushrooms. I am fascinated with folklore and myths, and I tend to be drawn to the imagery within these stories, especially witches, and overlooked women.

- Every time I create a new print I think it automatically becomes my favourite, my newest is a print of Baba Yaga’s iconic hut which I love. That being said I would have to say my all time favourite would be the first print I ever did, my Cabinet of Curiosities which you can see here.
 

Thank you Evie!